| Week 5: Read this week's lecture prior to the assigned readings from Martin & Meditations on the South Valley: "Meditations on the South Valley" (through p. 100). |
|
Lecture
5: Phoenix Rising from the Ashes |
|
By now you’ve read the first volume of Baca’s
long narrative poem. You watched Martin search, pray, fall in love,
build a home, and make a commitment to his son, never to abandon him.
Martin seems to be riding a wave of success, all the more remarkable
considering his harsh beginnings. The second part of the narrative,
“Meditations on the South Valley,” begins with the shock of tragedy:
“Disbelief/numbed me,” Martin reflects at the beginning of this new
section. Fire destroys all he has built and, most important to him, his
writing, the poems written over the last ten years, his entire creative
work. The fire, he says, is “the end/of all the cities and peoples/I
had become” (54). In the face of such a loss, how will he respond?
Will he be crushed? Or will he “give birth” again, rebuilding and
“rewriting” a self and a new life? As the title of this section suggests, in this part
of the book Martin reflects on his new, chosen home, the South Valley,
where “the white dove of my mind flies,/searching for news of life”
(55). Notice what he sees, “la gente del Southside,” the
people who “give nothing away/except what one sees” (56). Pay
attention to the metaphors and images he uses to convey a powerful sense
of who they are and what their world is like. Why, for example, does he
use the image of the “green jungly growths” to describe their world,
where he goes in order “to become one of them”? (56) Let the images
work on you, and reflect on the values he reveals as he shares with us
what he loves, and what he despises. At this point, you may enjoy reading some of his
poetry aloud or listening to the poetry. Visit Baca’s website and check some of the links in order to hear him reading his poetry. Get
together with another student or friend and read one of Baca’s poems.
Let your interpretation of the poem be revealed through your expression.
In other words, if you feel part of the poem is angry, use an angry
tone. Consider the
following elements when reading poetry aloud: Rhythm: the pattern of
sounds (or beats) Rate: the speed of
delivery Tone or mood: the
emotion or feeling expressed Volume: loud or soft Gesture: physical or
facial expressions Since
poetry was originally an oral art and its richness involves voice and
expression, I believe reading aloud or listening helps readers
appreciate (and understand) poetry. If you have a chance to read some of
the poetry aloud or listen to Baca read, send me a brief response to the
experience in order to receive extra credit.
You may also enjoy attending a poetry reading or checking out a
video on poetry from your library. To find out more about the poet himself, again check
the website listed above. Or see one of the suggested additional
readings (see reading schedule). Reading about Baca or reading what he
has to say about his creative process will enrich your experience of his
work. After reading, reflect on the cumulative experience
of the two poems in this volume: what have they left you with? What
images were most striking? What have they revealed about this man’s
life, about human nature, about what’s important to him? |
Address of this page: http://hhh.gavilan.edu/kwarren/lec5.html Last updated: 8/21/08 Please email kwarren@gavilan.edu for questions or comments |