Anthropology

at Gavilan College

 

KLEIN BIO &

PUBLICATIONS

 
 

Debbie Klein

 
Debbie Klein at work
 
I grew up in Tampa, Florida and was raised by parents from Brooklyn and Queens, New York. From an early age, I was exposed to a variety of cultures. Excited about studying nonwestern cultures and their histories, I discovered Anthropology in my early college years at Brown University. I went on to earn my PhD in Anthropology at UC Santa Cruz in 2000.

Before landing at Gavilan, I taught at UC Santa Cruz, the University of Ibadan in Nigeria and Vassar College. I have been doing research with extended families of drummers and dancers from Èrìn-Òsun, Nigeria for the past twenty years. Based on my fieldwork throughout the 1990s and the early 2000s, my ethnography, Yorùbá Bàtá Goes Global: Artists, Culture Brokers, and Fans, focuses on the role of collaboration in the production and marketing of traditional culture. As an anthropologist, I am interested in a variety of topics, including: the relationship between culture and power, globalization, human rights, social change, gender, body politics, performance, decolonization, social theory, diaspora studies, Yorùbá studies and Africa. My current research investigates the persistence and re-emergence of òrìsà-based practices through examining traditional amd Islamic intersections in Yorùbá popular culture in Nigeria.

I have been working with my colleagues in the Social Science department to develop our Social Science major. We have created two new majors: one with an emphasis in Community Studies and one with an emphasis in Global Studies. We have also launched and institutionalized Gavilan College's Service Learning Program in the Social Sciences. Aiming to facilitate effective participation by community college faculty in local and statewide dialogue about academic and professional matters, I served as president of Gavilan's Academic Senate for the past three years and am now serving as past president. Collaborating with colleagues at the state level, I have also served on the Future of California Higher Education Committee of the Academic Senate for California Community Colleges.

 

Education:

BA in Anthropology from Brown University
MA & Ph.D. in Anthropology from UC Santa Cruz

 
 

Select Publications

 

Books

 

Yorùbá Bàtá Goes Global: Artists, Culture Brokers, and Fans

 

Yoruba Bata Goes Global jacket image

 

 

Articles
 
Forthcoming

A Political Economy of Lifestyle and Aesthetics: Yorùbá Artists Produce and Transform Popular Culture. Re-Reading the Popular in Africa. Spec. issue of Research in African Literatures.

 
Forthcoming

Being Àyàn in a Modernizing Nigeria: A Multi-generational Perspective. In Michael D. Marcuzzi and Amanda Villepastour (Eds.), Wood That Talks: Trans-Atlantic Perspectives on the Orisa of Drumming. Jackson: University Press of Mississippi.

 
2012

Strategic Collaborations Between Nigerians and Germans: The Making of a Yorùbá Culture Movement. In Augustine Agwuele (Ed.), Development, Modernism and Modernity in Africa. New York: Routledge.

 
2011

Lamidi Ayankunle. In Henry Louis Gates Jr. and Emmanuel K. Akyeampong (Eds.), Dictionary of African Biography. New York: Oxford University Press.

 

2009

Performing Pop Tradition in Nigeria: From Yorùbá Bàtá to Bàtá Fújì. In Toyin Falola (Ed.), Africa and the Politics of Popular Culture. Rochester: University of Rochester Press.

 

2002

Building Status and Overseas Networks: Erin-Osun Artists Manage Devaluation. In Jane Guyer, LaRay Denzer, and Adigun Agbaje (Eds.), Money Struggles and City Life: Devaluation in Ibadan and Other Urban Centers in Southern Nigeria, 1986-1996. Portsmouth, NH: Heinemann Press.

 
Videos
     
A depiction of reconnection, long-term anthropological study and a preliminary exploration of the intersections among òrìsà, Islam and popular culture in Òsun, Ondó and Kwara States, Nigeria. Egúngún Èrìn-Òsun wa nbe.
 

Yorùbá Masquerade Dancers Sing Oríkì & Dance Bàtá
(2009)

Yorùbá masquerade dancers, Fúnké and Wusilat Òjéyemí, sing praise songs and dance bàtá in Èrìn-Òsun.
 
The late Alhaji Durolu, master drummer from Èrìn-Òsun, leads this ensemble. Alhaji asked me to record these Òrìsà songs.
 
ÀyànÀgalú of Èrìn-Òsun drum for Òrìsà Èsù, Sàngó, Obàtálá, and Òsun. Featuring Làmídì Àyánkúnlé on ìyáàlù. This is a straight-up drumming archive so that we don't forget the rhythms.
 
Is Nigerian Yorùbá Bàtá an endangered culture form?
 
Introduction to Yorùbá Bàtá Performance as practiced in Èrìn-Òsun, Nigeria. Featuring Làmídì Àyánkúnlé, master bàtá drummer from Èrìn-Òsun.
     
 
Copyright © 2012 Debra L. Klein. All rights reserved.